Offline bounce isn’t actually going to change much of how we like to work in the studio.
PRO TOOLS 11 MAC MINI PRO
This is around 30 times faster than real-time, but Avid claims that Pro Tools 11 is capable of up to 150 times faster than real-time. We bounced a 55 minute live performance we’d multi-tracked (24 channels) in under two minutes on our Mac Mini test system. The new audio engine finally breaks it out, and it does so with gusto. Pretty much all other DAWs have this but Pro Tools was left out because of the real-time nature of the audio engine. Offline Bounce in Pro Tools 11 Probably the most requested feature on the forums, offline bounce, is in Pro Tools 11.
PRO TOOLS 11 MAC MINI INSTALL
In the meantime, Pro Tools 11 includes an install of Pro Tools 10.3.6 which we can use for legacy sessions containing plug-ins that have not yet been upgraded. Hopefully this is only a small hurdle and we imagine most developers will be working overtime to get their plug-ins up and ready for Pro Tools 11. However, this move also means that not only do none of our old RTAS or TDM plug-ins work, but that some of our AAX plug-ins don’t work either, as they weren’t written for the 64-bit AAX2 architecture.
This is mostly noticeable for samplers, which can now load entire massively multi-sampled instruments meaning you no longer have to worry about disk streaming. This new architecture affects plug-ins too, enabling 64-bit AAX plug-ins to access massive amounts of RAM. However, what they provide is a faster, more efficient system, and we were able to load up massive sessions with a hundred tracks and hundreds of plug-ins with no bother – sessions we might previously have sub-mixed to take some of the pressure off the system. You can see evidence of them in the System Usage pop-up and the Playback Settings window, but they occur under the hood. This frees system resources for other purposes enabling you to load much busier, more complex sessions without stretching your system.įor users, most of the new audio engine features happen in the background. Plug-ins no-longer use system resources when they aren’t passing audio. In addition to switching the processing to 64-bit, the new AAE includes dynamic plug-in handling, which makes much more efficient use of multi-processor systems. But the AAE brings about a 64-bit architecture, which takes greater advantage of modern processors to work faster and access greater amounts of RAM without awkward workarounds. Pro Tools 10 brought in 64-bit audio processing (both in native systems and on HDX hardware), providing a much greater dynamic range than the previous 32-bit audio engine (or 48-bit fixed-point on TDM hardware). Note that 64-bit architecture is not the same as 64-bit audio processing. This brings Pro Tools up to date, alongside SONAR, Logic and Cubase/Nuendo, which have all had 64-bit architecture for some time. The DAE is gone, replaced by an all new 64-bit Avid Audio Engine (AAE). Pro Tools 11’s New Engine The biggest single change to Pro Tools 11 is the overhaul of the audio engine.
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